Bridge cameras are a versatile and affordable alternative to DSLRs, offering the same kind of manual controls plus a huge zoom lens that covers everything from wide-angle to super-telephoto photography.
There are two important differences to be aware of, though. The first is that bridge cameras have much smaller sensors than DSLRs or mirrorless cameras, so they can't match them for picture quality.
The second is that the lens is non-removable, so although it can handle a wide range of subjects, you can't swap to a macro lens for close-ups, for example, or a super-wide-angle lens, or a fast prime lens for low-light photography.
If you're not quite sure what kind of camera you need, read our essential guide: What camera should I buy?
Bridge cameras do, however, give you a lot of camera for your money, and they're a great stepping stone for photographers who want to move on from simple point-and-shoot cameras. There are also now a few models that have larger sensors and deliver better picture quality, and get a lot closer to the performance of a DSLR.
These are our favorites right now…
For those looking for a powerful all-in-one solution, the RX10 IV is the best camera out there. Featuring a huge 24-600mm f/2.4-4 zoom lens, the RX10 IV builds on the RX10 III with an overhauled AF system that now does justice to the rest of the camera, while the 1-inch, 20.1MP sensor is capable of achieving excellent levels of detail. It's quite bulky for a bridge camera, and there's no getting away from the hefty price, but the RX10 IV is but it's virtually in a league of its own.
Read our in-depth Sony Cyber-shot RX10 IV review
The Panasonic Lumix FZ2000 (known as the FZ2500 in the US) uses a 1-inch sensor, and while the zoom tops out at 480mm equivalent, which is relatively short for a bridge camera, that's still plenty for all but the most extreme everyday use. We'd certainly sacrifice a little for of zoom range for better and faster optics. We love the FZ2000 because it delivers both image quality and zoom range, but if you're looking for something a bit cheaper, the older FZ1000 (below) is also worth a look.
Read our in-depth Panasonic Lumix FZ2000 / FZ2500 review
The Lumix FZ1000's 16x optical zoom is lower than typical bridge cameras, but that's due to its sizeable 1-inch sensor that delivers a big boost in image quality. This isn't just any old lens, either, but rather a Leica optic with a large f/2.8 maximum wide-angle aperture that narrows to a still-respectable f/4 at full zoom. This helps you capture shots in low light without resorting to high ISO sensitivities, whilst the Hybrid 5-axis Optical Image Stabilisation minimises camera shake. 4K (Ultra HD, strictly) 3840 x 2160 video recording, advanced autofocusing, a superb 2,359,000-dot electronic viewfinder and raw shooting all help make the FZ1000 our top pick.
Read our in-depth Panasonic Lumix FZ1000 review
If you can live without the advanced AF system and other performance advantages offered by the RX10 IV, the RX10 III is still worth a look. The design is pretty much identical to the RX10 IV, and you've got the same 24-600mm f/2.4-4 lens. What's the compromise? Well, the AF is a bit pedestrian compared to the latest model, while there's no touchscreen control or the ability to shoot at an impressive 24fps. With the arrival of the newer model, you might be able to track down one of these at a decent price too.
Read our in-depth Sony Cyber-shot RX10 III review
The SX60 HS is a more conventional bridge camera than our top trio, as it uses a smaller 1/2.3-inch sensor, enabling a huge 65x optical zoom range. It's still got full manual control, though, plus an articulated screen, a good quality electronic viewfinder and the ability to shoot in raw. Inbuilt Wi-Fi with NFC is another bonus. Annoyingly there's no eye sensor on the viewfinder, so you have to activate it manually. Image quality is very good, with bright and punchy colours, but it does struggle a little with very dark conditions and if you examine images at 100%, you'll see some speckling and noise.
Read our in-depth Canon PowerShot SX60 HS review
The Lumix FZ80 (known as the Lumix FZ82 outside the US) might be one of the most affordable bridge cameras here, but it still packs quite a punch. The zoom is very impressive, range from an ultra-wide 20mm through to a staggering 1200mm, all with an effective image stabilization system. There's also 4K recording with Panasonic's 4K Photo that can shoot 8MP images at 30fps, meaning you should never miss that split-second moment. It's also very easy to use with an intuitive touchscreen. The viewfinder could be better (and there's no eye sensor to automatically switch between the displays), while the high-ISO performance can't match the quality of its larger sensor (and more expensive) rivals. That said, one of the best budget bridge cameras around.
Read our in-depth Panasonic Lumix FZ80 / FZ82 review
Thought Canon's 65x SX60 HS was the limit for optical zoom range? Well Nikon has rewritten the rule book, as the P900's incredible 83x lens currently gives it the accolade of world's longest-zoom bridge camera. Such a massive lens does make this one hefty snapper, however. It's considerably larger than Nikon's P610 and 60% heavier, yet it shares many of the same features, like Wi-Fi with NFC pairing and an articulating screen. Image quality is also very similar to that of the P610, but the price certainly isn't. The P900 will cost you around 80% more, which is hard to justify.
Read our in-depth Nikon Coolpix P900 review
The Lumix FZ70 (Lumix FZ72 outside the US) is one of the cheapest bridge cameras in our selection and has since been replaced by the FZ80 / FZ82 (see above), yet it still sports a great zoom range with an impressive 20mm-equivalent wide angle focal length. Its lens aperture also opens up as wide as f/2.8, though it does narrow to f/5.9 at full zoom. Raw format recording and full manual control give the FZ72 enthusiast appeal, as does the attractive image quality. We would rank the FZ72 higher, but there's no Wi-Fi and the relatively low screen and electronic viewfinder resolutions are a let-down. You'll also have to do without an eye sensor to automatically switch between the two displays.
Read our in-depth Panasonic Lumix FZ70 / FZ72 review
An upgrade to the popular Coolpix P610, there's lots to like about the B700 from Nikon. Unlike the P610, the B700 can now shoot raw files, to get the best from the sensor, while the resolution jumps from 16MP to 20MP. The 60x zoom gives huge reach, while image quality is good up to ISO 800, with great colour reproduction and reasonable detail, whilst low light shots look good up to ISO 1600. There's also now an eye sensor for the viewfinder, while you now get SnapBridge connectivity, plus an articulating screen which is useful for composing shots from awkward angles.
Sony's premium superzoom bridge camera is closely matched with the Panasonic FZ72, but it loses out due to its higher price, JPEG-only image capture and lesser zoom range. Still, the HX400V claws back some ground by offering Wi-Fi. It's also pleasure to use thanks to its ergonomic design and the tilting screen is another nice touch, though it won't fully articulate. But more disappointing is the relatively low resolution electronic viewfinder. Although there's no raw support, JPEG images have great colours and plenty of detail. Some image smoothing is visible at 100% image size, but it's a common trait amongst small sensor bridge cameras.
Read our in-depth Sony Cyber-shot HX400V review
from TechRadar - All the latest technology news http://www.techradar.com/news/photography-video-capture/cameras/best-bridge-camera-1259503
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